The Thin, Dark Veil

For now we see through a glass, darkly; but then face to face…

I hear the mighty pipe organ, that King of instruments, pealing the melody I know so well—my favourite hymn, its words engraved on my heart—rolling majestically through the cavernous cathedral where so many times I have gathered with my family in this congregation.

O Lord, my God, when I in awesome wonder,
Consider all the worlds Thy hands have made…

I see the people who have come to mourn or celebrate, to lament or rejoice, depending on their view of me, I suppose.  I know all of them, the well-meaning grievers and the disbelieving voyeurs—though they seem distant despite their disconcerting closeness as they lean over my casket.  I cannot see them clearly, for it is as if a thin, dark veil lies across my eyes. 

I hardly recognize long-ago colleagues, much-aged now, and almost-forgotten neighbours from homes I have lived in over the years.  There are acquaintances and friends from bygone times, most of whom I have not seen in many a day.  Some whisper a few words as they pause over me, but I cannot hear them on account of the glorious music enveloping me—

I see the stars, I hear the rolling thunder
Thy power throughout the universe displayed…

Some of these folks, I believe, have come in sadness, while others, less charitably, are here to assure themselves that I have, indeed, crossed the bar.  Some will miss me, of that I am sure; others, not so much.  But really, how could it be otherwise?  Are there any among us who will be universally mourned at their time of passing?

There are those who are genuinely saddened by my leaving, however, and I see them, too—dimly, darkly—as they linger over me.  I recognize the two old men whom I have loved since we were ragamuffin boys, and their wives, tears gracing their faces, hands lovingly touching my cheek, though I cannot feel them.  One of them crosses herself as she hovers there, an angelic apparition, an ephemeral chimera, and although I have never been one to embrace obvious signs of piety, I am comforted by her simple gesture as the mighty organ swells—

Then sings my soul, my Savior God to Thee,
How great Thou art, how great Thou art…

And then at last there appear the people whom I love the most.  My vision is blurred and hazy through the veil, but I recognize my grandchildren—the adults they are now (strangely shape-shifting with the babies they were). And I see my middle-aged daughters (inexplicably intermingling with the lovely little girls who graced my life once upon a time, and for all time).  Their eyes are smiling down at me, their grandpa, their daddy, even as their tears flow forth.

Coming at the very last, of course, is the stooped and wrinkled wife who has been there since the very beginning—mother and grandmother, boon companion—and she, too, is metamorphosing back and forth from the lissome lass she was to the weathered woman she has become.  And I understand, perhaps for the first time, the devotion expressed in Yeats’s poetic words: …one man…loved the sorrows of your changing face.

She stands above me for the longest time, my very life, yet not long enough before she is gone, leaving behind one final, sad smile. And I hear the magnificent music, its o’erarching crescendo anointing me, before fading to an other-worldly silence—

Then sings my soul, my Savior God to Thee,
How great Thou ar-r-r-t, how grea-ea-t Thou art…

And when the music stops, the thin, dark veil is lifted.  And as the hoped-for, everlasting light bursts forth, I do as the old man in Yeats’s poem did before me—I hide my face amid a cloud of stars.

_{© J. Bradley Burt 2021}